My Father and the Fig Tree

Naomi Shihab Nye



For other fruits, my father was indifferent.
He'd point at the cherry trees and say,
"See those? I wish they were figs."
In the evening he sat by my beds
weaving folktales like vivid little scarves.
They always involved a figtree.
Even when it didn't fit, he'd stick it in.
Once Joha was walking down the road and he saw a fig tree.
Or, he tied his camel to a fig tree and went to sleep.
Or, later when they caught and arrested him, his pockets were full of figs.

At age six I ate a dried fig and shrugged.
"That's not what I'm talking about! he said,
"I'm talking about a fig straight from the earth — gift of Allah! — on a branch so heavy it touches the ground.
I'm talking about picking the largest, fattest,
sweetest fig
in the world and putting it in my mouth."
(Here he'd stop and close his eyes.)

Years passed, we lived in many houses,
none had figtrees.
We had lima beans, zucchini, parsley, beets.
"Plant one!" my mother said.
but my father never did.
He tended garden half-heartedly, forgot to water,
let the okra get too big.
"What a dreamer he is. Look how many things he starts and doesn't finish."

The last time he moved, I got a phone call,
My father, in Arabic, chanting a song
I'd never heard. "What's that?"
He took me out back to the new yard.
There, in the middle of Dallas, Texas,
a tree with the largest, fattest,
sweetest fig in the world.
"It's a fig tree song!" he said,
plucking his fruits like ripe tokens,
emblems, assurance
of a world that was always his own.

The Man Who Makes Brooms

Naomi Shihab Nye


So you come with these maps in your head
and I come with voices chiding me to
"speak for my people"
and we march around like guardians of memory
till we find the man on the short stool
who makes brooms.

Thumb over thumb, straw over straw,
he will not look at us.
In his stony corner there is barely room
for baskets and thread,
much less the weight of our faces
staring at him from the street.
What he has lost or not lost is his secret.

You say he is like all the men,
the man who sells pistachios,
the man who rolls the rugs.
Older now, you find holiness in anything
that continues, dream after dream.
I say he is like nobody,
the pink seam he weaves
across the flat golden face of his broom
is its own shrine, and forget about the tears.

In the village the uncles will raise their kefiyahs
from dominoes to say, no brooms in America?
And the girls who stoop to sweep the courtyard
will stop for a moment and cock their heads.
It is a little song, this thumb over thumb,
but sometimes when you wait years
for the air to break open
and sense to fall out,
it may be the only one.