What Work Is

Philip Levine


We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is--if you're
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fingers,
and of course it's someone else's brother,
narrower across the shoulders than
yours but with the same sad slouch, the grin
that does not hide the stubbornness,
the sad refusal to give in to
rain, to the hours wasted waiting,
to the knowledge that somewhere ahead
a man is waiting who will say, "No,
we're not hiring today," for any
reason he wants. You love your brother,
now suddenly you can hardly stand
the love flooding you for your brother,
who's not beside you or behind or
ahead because he's home trying to
sleep off a miserable night shift
at Cadillac so he can get up
before noon to study his German.
Works eight hours a night so he can sing
Wagner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoulders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You've never
done something so simple, so obvious,
not because you're too young or too dumb,
not because you're jealous or even mean
or incapable of crying in
the presence of another man, no,
just because you don't know what work is.

Today and Two Thousand Years from Now

Philip Levine


The job is over. We stand under the trees
waiting to be told what to do,
but the job is over.

The darkness pours between the branches above,
but the moon's not yet
on its walk

through the night sky trailed by stars.
Suddenly a match flares, I see
there are only us two,

you and me, alone together in the great room
of the night world, two laborers
with nothing to do,

so I lean to the little flame and light my Lucky
and thank you, comrade, and again
we are in the dark.

Let me now predict the future. Two thousand years
from now we two will be older,
wiser, having escaped

the fleeting incarnations of workingmen.
We will have risen from the earth
of southern Michigan

through the tangled roots of Chinese elms
or ancient rosebushes to take
the tainted air

into our leaves and send it back, purified,
down the same trail we took
to escape the dark.

Two thousand years passed in a flash to shed
no more light than a wooden match
gave under the trees

when you and I were lost kids, more scared than
now, but warm, useless, with names
and different faces.

Heaven

Philip Levine


If you were twenty-seven
and had done time for beating
your ex-wife and had
no dreams you remembered
in the morning, you might
lie on your bed and listen
to a mad canary sing
and think it all right to be
there every Saturday
ignoring your neighbors, the streets,
the signs that said join,
and the need to be helping.
You might build, as he did,
a network of golden ladders
so that the bird could roam
on all levels of the room;
you might paint the ceiling blue,
the floor green, and shade
the place you called the sun
so that things came softly to order
when the light came on.
He and the bird lived
in the fine weather of heaven;
they never aged, they
never tired or wanted
all through that war,
but when it was over
and the nation had been saved,
he knew they'd be hunted.
He knew, as you would too,
that he'd be laid off
for not being braver
and it would do no good
to show how he had taken
clothespins and cardboard
and made each step safe.
It would do no good
to have been one of the few
that climbed higher and higher
even in time of war,
for now there would be the poor
asking for their share,
and hurt men in uniforms,
and no one to believe
that heaven was really here.